Composer and performer Gazelle Twin explores whether our dependence on technology is entering an age of reckoning. In Ragebait, robotics and voice synergise in rebellion to create through destruction, questioning whether technology is something we should deny and disavow, or just the shadow of our true nature. 

In this new work for the Tanks at TATE as part of the Infinities Commission, nora chipaumire draws on the legends, stones and soil of her native country, Zimbabwe.

Making their UK debut, New York-based Team Rolfes bring their new, chaotic, prototype club-theatre performance to 3 Evenings. Part game show, part emergency, the group and their musical collaborator GFOTY will need collective input to make it through in one piece.

An intimate group performance where the dancers and audience share in their communal exhaustion, empathy, euphoria and joy.

A multi-channel TV station exploring performance and technology online, part of 3 Evenings: Experiments in Performance and Technology. In partnership with HEK (House of Electronic Arts, Basel), M+ (Hong Kong), Onassis ONX (Athens/New York) & Pioneer Works (New York), 3ETV is a decentralised curated broadcast exploring how performance and technology have evolved in an always on world.

A processional work for solo soprano, vocal consort, mixed choir, and large ensemble.

A video game commission and multiplayer immersive experience from Danielle Brathwaite-Shirley that explores themes of polarisation, censorship and social connection.

The Future Art Ecosystems Research and Development (FAE R&D) Fellowship is a six month, low-residency programme designed to support practitioners working across art and advanced technologies, offering time for research, and collaboration. The inaugural Fellows for 2026–27 are Alice Bucknell, Reina Mun, Alfredo Salazar-Caro and Auriea Harvey.